Preface
It has been a labor of love with many distinguished Frenchmen to recall the memories of the women who have made their society so illustrious, and to retouch with sympathetic insight the features which time was beginning to dim. One naturally hesitates to enter a field that has been gleaned so carefully, and with such brilliant results, by men like Cousin, Sainte-Beuve, Goncourt, and others of lesser note. But the social life of the two centuries in which women played so important a role in France is always full of human interest from whatever point of view one may regard it. If there is not a great deal to be said that is new, old facts may be grouped afresh, and old modes of life and thought measured by modern standards.
In searching through the numerous memoirs, chronicles, letters, and original manuscripts in which the records of these centuries are hidden away, nothing has struck me so forcibly as the remarkable mental vigor and the far-reaching influence of women whose theater was mainly a social one. Though society has its frivolities, it has also its serious side, and it is through the phase of social evolution that was begun in the salons that women have attained the position they hold today. However beautiful, or valuable, or poetic may have been the feminine types of other nationalities, it is in France that we find the forerunners of the intelligent, self-poised, clear-sighted, independent modern woman. It is possible that in the search for larger fields the smaller but not less important ones have been in a measure forgotten. The great stream of civilization flows from a thousand unnoted rills that make sweet music in their course, and swell the current as surely as the more noisy torrent. The conditions of the past cannot be revived, nor are they desirable. The present has its own theories and its own methods. But at a time when the reign of luxury is rapidly establishing false standards, and the best intellectual life makes hopeless struggles against an ever aggressive materialism, it may be profitable as well as interesting to consider the possibilities that lie in a society equally removed from frivolity and pretension, inspired by the talent, the sincerity, and the moral force of American women, and borrowing a new element of fascination from the simple and charming but polite informality of the old salons.
It has been the aim in these studies to gather within a limited compass the women who represented the social life of their time on its most intellectual side, and to trace lightly their influence upon civilization through the avenues of literature and manners. Though the work may lose something in fullness from the effort to put so much into so small a space, perhaps there is some compensation in the opportunity of comparing, in one gallery, the women who exercised the greatest power in France for a period of more than two hundred years. The impossibility of entering into the details of so many lives in a single volume is clearly apparent. Only the most salient points can be considered. Many who would amply repay a careful study have simply been glanced at, and others have been omitted altogether. As it would be out of the question in a few pages to make an adequate portrait of women who occupy so conspicuous a place in history as Mme. De Maintenon and Mme. De Stael, the former has been reluctantly passed with a simple allusion, and the latter outlined in a brief resume not at all proportional to the relative interest or importance of the subject.
I do not claim to present a complete picture of French society, and without wishing to give too rose-colored a view, it has not seemed to me necessary to dwell upon its corrupt phases. If truth compels one sometimes to state unpleasant facts in portraying historic characters, it is as needless and unjust as in private life to repeat idle and unproved tales, or to draw imaginary conclusions from questionable data. The conflict of contemporary opinion on the simplest matters leads one often to the suspicion that all personal history is more or less disguised fiction. The best one can do in default of direct records is to accept authorities that are generally regarded as the most trustworthy.
This volume is affectionately dedicated to the memory of my mother, who followed the work with appreciative interest in its early stages, but did not live to see its conclusion.
Amelia Gere Mason Paris, July 6, 1891
Contents
PREFACE
DETAILED CONTENTS
CHAPTER I. SALONS OF THE SEVENTEENTH CENTURY
CHAPTER II. THE HOTEL DE RAMBOUILLET
CHAPTER III. MADEMOISELLE DE SCUDERY AND THE SAMEDIS
CHAPTER IV. LA GRANDE MADEMOISELLE
CHAPTER V. A LITERARY SALON AT PORT ROYAL
CHAPTER VI. MADAME DE SEVIGNE
CHAPTER VII. MADAME DE LA FAYETTE
CHAPTER VIII. SALONS OF THE EIGHTEENTH CENTURY
CHAPTER IX. AN ANTECHAMBER OF THE ACADEMIE FRANCAISE
CHAPTER X. THE DUCHESSE DU MAINE
CHAPTER XI. MADAME DE TENCIN AND MADAME DU CHATELET
CHAPTER XII. MADAME GEOFFRIN AND THE PHILOSOPHERS
CHAPTER XIII. ULTRA-PHILOSOPHICAL SALONS—MADAME D'EPINAY
CHAPTER XIV. SALONS OF THE NOBLESSE—MADAME DU DEFFAND
CHAPTER XV. MADEMOISELLE DE LESPINASSE
CHAPTER XVI. THE SALON HELVETIQUE
CHAPTER XVII. SALONS OF THE REVOLUTION—MADAME ROLAND
CHAPTER XVIII. MADAME DE STAEL
CHAPTER XIX. THE SALONS OF THE EMPIRE AND RESTORATION—MADAME RECAMIER
DETAILED CONTENTS
CHAPTER I. SALONS OF THE SEVENTEENTH CENTURY Characteristics of French
Woman—Gallic Genius for Conversation—Social Conditions—Origin of the
Salons—Their Power—Their Composition—Their Records
CHAPTER II. THE HOTEL DE RAMBOUILLET Mme. De Rambouillet—The
Salon Bleu—Its Habitues—Its
Diversions—Corneille—Balzac—Richelieu—Romance of the
Grand Conde—the Young Bossuet—Voiture—The Duchesse de
Longueville—Angelique Paulet—Julie d'Angennes—Les Precieuses
Ridicules—Decline of the Salon—Influence upon Literature and Manners
CHAPTER III. MADEMOISELLE DE SCUDERY AND THE SAMEDIS Salons of the
Noblesse—"The Illustrious Sappho"—Her Romances—The Samedis—Bons Mots
of Mme. Cornuel—Estimate of Mlle. De Scudery
CHAPTER IV. LA GRANDE MADEMOISELLE Her Character—Her Heroic Part in the
Fronde—Her Exile—Literary Diversions of her Salon—A Romantic Episode
CHAPTER V. A LITERARY SALON AT PORT ROYAL Mme. De Sable—Her
Worldly Life—Her Retreat—Her Friends—Pascal—The Maxims of La
Rochefoucauld—Last Days of the Marquise
CHAPTER VI. MADAME DE SEVIGNE Her Genius—Her Youth—Her Unworthy
Husband—Her Impertinent Cousin—Her love for her Daughter—Her
Letters—Hotel de Carnavalet—Mme. Duplessis Guengaud—Mme. De
Coulanges—The Curtain Falls
CHAPTER VII. MADAME DE LA FAYETTE Her Friendship with Mme. De
Sevigne—Her Education—Her Devotion to the Princess Henrietta—Her
Salon—La Rochefoucauld— Talent as a Diplomatist—Comparison with Mme.
De Maintenon—Her Literary Work—Sadness of her Last Days—Woman in
Literature
CHAPTER VIII. SALONS OF THE EIGHTEENTH CENTURY Characteristics of
the Eighteenth Century—Its Epicurean Philosophy—Anecdote of Mme. Du
Deffand—The Salon an Engine of Political Power—Great Influence of
Woman—Salons Defined—Literary Dinners—Etiquette of the Salons—An
Exotic on American Soil
CHAPTER IX. AN ANTECHAMBER OF THE ACADEMIE FRANCAISE The Marquise de
Lambert—Her "Bureau d'Esprit"—Fontenelle—Advice to her Son—Wise
Thoughts on the Education of Women—Her Love of Consideration—Her
Generosity—Influence of Women upon the Academy
CHAPTER X. THE DUCHESSE DU MAINE Her Capricious Character—Her
Esprit—Mlle. De Launay—Clever Portrait of her Mistress—Perpetual
Fetes at Sceaux—Voltaire and the "Divine Emilie"—Dilettante Character
of this Salon
CHAPTER XI. MADAME DE TENCIN AND MADAM DU CHATELET An Intriguing
Chanoinesse—Her Singular Fascination—Her Salon—Its Philosophical
Character—Mlle. Aisse—Romances of Mme. De Tencin—D'Alembert—La Belle
Emilie—Voltaire—the Two Women Compared
CHAPTER XII. MADAME GEOFFRIN AND THE PHILOSOPHERS Cradles of the New
Philosophy—Noted Salons of this Period—Character of Mme. Geoffrin—Her
Practical Education—Anecdotes of her Husband—Composition of her
Salon—Its Insidious Influence—Her Journey to Warsaw—Her Death
CHAPTER XIII. ULTRA PHILOSOPHICAL SALONS—MADAME D'EPINAY Mme. De
Graffigny—Baron D'Holbach—Mme. D'Epinay's Portrait of Herself—Mlle.
Quinault—Rousseau—La Chevrette—Grimm—Diderot—The Abbe
Galiani—Estimate of Mme. D'Epinay
CHAPTER XIV. SALONS OF THE NOBLESSE—MADAME DU DEFFAND La Marechale
de Luxenbourg—The Temple—Comtesse de Boufflers—Mme. Du Dufand—Her
Convent Salon—Rupture with Mlle. De Lespinasse—Her Friendship with
Horace Walpole—Her Brilliancy and her Ennui
CHAPTER XV. MADEMOISELLE DE LESPINASSE A Romantic Career—Companion
of Mme. Du Deffand—Rival Salons—Association with the
Encyclopedists—D'Alembert—A Heart Tragedy—Impassioned Letters—A Type
Unique in her Age
CHAPTER XVI. THE SALON HELVETIQUE The Swiss Pastor's Daughter—Her
Social Ambition—Her Friends Mme. De Marchais—Mme. D'Houdetot—Duchesse
de Lauzun—Character of Mme. Necker—Death at Coppet—Close of the Most
Brilliant Period of the Salons
CHAPTER XVII. SALONS OF THE REVOLUTION—MADAME ROLAND Change in the
Character of the Salons—Mme. De Condorcet—Mme. Roland's Story of
her Own Life—A Marriage of Reason—Enthusiasm for the Revolution—Her
Modest Salon—Her Tragical Fate
CHAPTER XVIII. MADAM DE STAEL Supremacy of Her Genius—Her Early
Training—Her Sensibility—A Mariage de Convenance—Her Salon—Anecdote
of Benjamin Constant—Her Exile—Life at Coppet—Secret Marriage—Close
of a Stormy Life
CHAPTER XIX. SALONS OF THE EMPIRE AND RESTORATION—MADAME RECAMIER A
Transition period—Mme. De Montesson—Mme. De Genus—Revival of the
Literary Spirit—Mme. De Beaumont—Mme. De Remusat—Mme. De Souza—Mme.
De Duras—Mme. De Krudener—Fascination of Mme. Recamier—Her
Friends—Her Convent Salon—Chateaubriand Decline of the Salon