Art
——-
Artist, fashion! talk not long!
Be a breath thine only song!
——-
THE DROPS OF NECTAR.
WHEN Minerva, to give pleasure
To Prometheus, her well-loved one,
Brought a brimming bowl of nectar
From the glorious realms of heaven
As a blessing for his creatures,
And to pour into their bosoms
Impulses for arts ennobling,
She with rapid footstep hasten'd,
Fearing Jupiter might see her,
And the golden goblet trembled,
And there fell a few drops from it
On the verdant plain beneath her.
Then the busy bees flew thither
Straightway, eagerly to drink them,
And the butterfly came quickly
That he, too, might find a drop there;
Even the misshapen spider
Thither crawl'd and suck'd with vigour.
To a happy end they tasted,
They, and other gentle insects!
For with mortals now divide they
Art─that noblest gift of all.
1789.* ——- THE WANDERER.
[Published in the Gottingen Musen Almanach, having been written "to express his feelings and caprices" after his separation from Frederica.]
WANDERER.
YOUNG woman, may God bless thee,
Thee, and the sucking infant
Upon thy breast!
Let me, 'gainst this rocky wall,
Neath the elm-tree's shadow,
Lay aside my burden,
Near thee take my rest.
WOMAN.
What vocation leads thee,
While the day is burning,
Up this dusty path?
Bring'st thou goods from out the town
Round the country?
Smil'st thou, stranger,
At my question?
WANDERER.
From the town no goods I bring.
Cool is now the evening;
Show to me the fountain
'Whence thou drinkest,
Woman young and kind!
WOMAN.
Up the rocky pathway mount;
Go thou first! Across the thicket
Leads the pathway tow'rd the cottage
That I live in,
To the fountain
Whence I drink.
WANDERER.
Signs of man's arranging hand
See I 'mid the trees!
Not by thee these stones were join'd,
Nature, who so freely scatterest!
WOMAN.
Up, still up!
WANDERER.
Lo, a mossy architrave is here!
I discern thee, fashioning spirit!
On the stone thou hast impress'd thy seal.
WOMAN.
Onward, stranger!
WANDERER.
Over an inscription am I treading!
'Tis effaced!
Ye are seen no longer,
Words so deeply graven,
Who your master's true devotion
Should have shown to thousand grandsons!
WOMAN.
At these stones, why
Start'st thou, stranger?
Many stones are lying yonder
Round my cottage.
WANDERER.
Yonder?
WOMAN.
Through the thicket,
Turning to the left,
Here!
WANDERER.
Ye Muses and ye Graces!
WOMAN.
This, then, is my cottage.
WANDERER.
'Tis a ruin'd temple! *
WOMAN.
Just below it, see,
Springs the fountain
Whence I drink.
WANDERER.
Thou dost hover
O'er thy grave, all glowing,
Genius! while upon thee
Hath thy master-piece
Fallen crumbling,
Thou Immortal One!
WOMAN.
Stay, a cup I'll fetch thee
Whence to drink.
WANDERER.
Ivy circles thy slender
Form so graceful and godlike.
How ye rise on high
From the ruins,
Column-pair
And thou, their lonely sister yonder,—
How thou,
Dusky moss upon thy sacred head,—
Lookest down in mournful majesty
On thy brethren's figures
Lying scatter'd
At thy feet!
In the shadow of the bramble
Earth and rubbish veil them,
Lofty grass is waving o'er them
Is it thus thou, Nature, prizest
Thy great masterpiece's masterpiece?
Carelessly destroyest thou
Thine own sanctuary,
Sowing thistles there?
WOMAN.
How the infant sleeps!
Wilt thou rest thee in the cottage,
Stranger? Wouldst thou rather
In the open air still linger?
Now 'tis cool! take thou the child
While I go and draw some water.
Sleep on, darling! sleep!
WANDERER.
Sweet is thy repose!
How, with heaven-born health imbued,
Peacefully he slumbers!
Oh thou, born among the ruins
Spread by great antiquity,
On thee rest her spirit!
He whom it encircles
Will, in godlike consciousness,
Ev'ry day enjoy.
Full, of germ, unfold,
As the smiling springtime's
Fairest charm,
Outshining all thy fellows!
And when the blossom's husk is faded,
May the full fruit shoot forth
From out thy breast,
And ripen in the sunshine!
WOMAN.
God bless him!—Is he sleeping still?
To the fresh draught I nought can add,
Saving a crust of bread for thee to eat.
WANDERER.
I thank thee well.
How fair the verdure all around!
How green!
WOMAN.
My husband soon
Will home return
From labour. Tarry, tarry, man,
And with us eat our evening meal.
WANDERER.
Is't here ye dwell?
WOMAN.
Yonder, within those walls we live.
My father 'twas who built the cottage
Of tiles and stones from out the ruins.
'Tis here we dwell.
He gave me to a husbandman,
And in our arms expired.—
Hast thou been sleeping, dearest heart
How lively, and how full of play!
Sweet rogue!
WANDERER.
Nature, thou ever budding one,
Thou formest each for life's enjoyments,
And, like a mother, all thy children dear,
Blessest with that sweet heritage,—a home
The swallow builds the cornice round,
Unconscious of the beauties
She plasters up.
The caterpillar spins around the bough,
To make her brood a winter house;
And thou dost patch, between antiquity's
Most glorious relics,
For thy mean use,
Oh man, a humble cot,—
Enjoyest e'en mid tombs!—
Farewell, thou happy woman!
WOMAN.
Thou wilt not stay, then?
WANDERER.
May God preserve thee,
And bless thy boy!
WOMAN.
A happy journey!
WANDERER.
Whither conducts the path
Across yon hill?
WOMAN.
To Cuma.
WANDERER.
How far from hence?
WOMAN.
'Tis full three miles.
WANDERER.
Farewell!
Oh Nature, guide me on my way!
The wandering stranger guide,
Who o'er the tombs
Of holy bygone times
Is passing,
To a kind sheltering place,
From North winds safe,
And where a poplar grove
Shuts out the noontide ray!
And when I come
Home to my cot
At evening,
Illumined by the setting sun,
Let me embrace a wife like this,
Her infant in her arms!
1772. * Compare with the beautiful description contained in the subsequent lines, an account of a ruined temple of Ceres, given by Chamberlayne in his Pharonnida (published in 1659)
"…. With mournful majesiy
A heap of solitary ruins lie,
Half sepulchred in dust, the bankrupt heir
To prodigal antiquity…."
——-
LOVE AS A LANDSCAPE PAINTER.
ON a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure,—
How to paint a beauteous figure, show thee."
And he then extended his fore-finger,—
(Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together,—
Flowers, river, trees, the veil,—all moving,—
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
1788. ——-